matthew herbert revives his wishmountain moniker 16 years after the release of seminal minimal techno track >radio< and subsequent album >wishmountain is dead<. this 12 inch is taken from tesco, an album made exclusively from sounds sourced from the top ten best-selling items in a certain supermarket.
fans of herberts earlier output will not be disappointed: expect bubbling bass and melodic hooks, like classic early herbert amplified by his 2012 studio savvy.

matthew herbert revives his wishmountain moniker 16 years after the release of seminal minimal techno track >radio< and subsequent album >wishmountain is dead<. this 12 inch is taken from tesco, an album made exclusively from sounds sourced from the top ten best-selling items in a certain supermarket.
fans of herberts earlier output will not be disappointed: expect bubbling bass and melodic hooks, like classic early herbert amplified by his 2012 studio savvy.

mario basanov, the lithuanian super producer is coming back for more and for showing the other side of his multifaceted musical persona. best known for catchy hooks, pop melodies and vocal productions, mario delivers here two slow burners in form of closer and something about. darker and deeper than one might expect mario basanov is at his best here. on remix duties are two fellows from the other side of mario’s studio wall - a dynamic duo of saulty and bradka better known as downtown party network. the combo pitched up the tempo, beefed up the groove, and even added some euphoric stabs and strings for enhanced dance floor usability of the title track. best kept secret - hidden sounds of vilnius house scene uncovered & presented by vidis. vital sales points: - a follow up to massive we are child of love single on needwant - releases on silence music, future classic, needwant - remixes for metronomy, crazy p, robert owens

one day while sharpening his hip-hop skills, the prince sets up shop in his favorite studio, an oversized king bed in a pile of synthesizers, drum machines and keyboards. an abundance of classic samples overflowing with soulful fills inspired baby prince to record one of his most sensitive vocal messages to date. an ideas man, baby prince struggled to get the mix right and tight. so lonely c swoops in, hits record and lays down the track in one clean shot. ooohwee! i want to squeeze you is born. the pillowtalk boys heard the new noise and accepted remix duties without question. their results, the phat philly remix, is a timeless house version with a powerful vocal addition from sammy d himself. lace up yer raving kicks.

on this new ep, sei as strong signature production values remain at the heart of the record, which melds deep and forward-thinking techno with rich textures and moody atmospherics. swedish dj, producer and studio barnhus boss, axel boman steps in to provide a superb remix, which brings the ep to a perfect close.

second part of four in the imbroglios series sees modern sound alchemist pepe bradock emerge from his studio with another outerwordly, mind-bending mixture of tricky, swinging beats, collages of rich, imaginative sound snippets from every corner of the musical spectrum and a phletora of exotic, cheeping noises and sounds. its a miracle how pepe keeps pushing the envelope with every new precious release yet is instantly recognizable - on of the true innovators in any style of music today and another cornerstone of every good record collection that will still sound good in decades. play super loud!

we have had a good run of 12 inches this year starting off with todd terjes >inspector norse< followed by bjørn torske (remixed by dj harvey and todd terje), lindstrøm (remixed by todd rundgren) and idjut boys great >one for kenny<. and now we continue with a great summer tune and one of our favorite tracks of the year, mungolian jetsets brand new >smells like gasoline<. already a todd terje favorite, the track will be featured on mungolian jetsets upcoming album >mungodelics< due 20th of august (todd terje has also edited the cd version of the album). on the b side we have 2 remixes of >we are the shining< from last years >schlungs< album by dan lissvik of studio fame as well as skatebaard.

exercise ones newest ep is the result of happy jam sessions in the studio with a couple of their dear canadian buddies.exercise one have been concentrating on their new all hardware, no computer live show over the past half year - with performances at panorama bar, cabaret and le showcase - and releases on cocoon and their own exone label.

longtime friends, label partners and now collaborators seph and jeremy p caulfield team up to once again demonstrate their synergistic telepathic working methods. virtues & vices is a 4 track ep featuring solo work form argentinian wunderkind seph as well as two more tracks written & produced together with jeremy p caulfield. across oceans and continents the ideas of two studio wizards take shape. virtue & vices is a raw yet rocking dubby expedition into peak-time tripped magic.
pressed on translucent vinyl.

dana ruh has not hestitated to explore musical possibilities in her studio with her machines to continue her solo work. while evolving new sounds and tracks, she hit some spectacular signings with ben watts buzzin fly and put a track on a various artists on crosstown rebels. as well there will be her own new releases on aras and brouqade. make sure to expect some musical gemstones in the second half of 2011 to be released .... coz diamonds are that girls best friends.

as ajello say:the idea for a cover version of n.o.i.a.s looking for love was born a couple of years ago - an idea of alessandro piatto, younger brother of davide piatto, original member of n.o.i.a. as soon as alessandro proposed it,we asked whether we could have the original tracks but, unfortunately,they have been lost over the years.immediately his brother davide brought together the original lineup of n.o.i.a.and locked them up in the studio to record the voice from scratch and some of the synth parts. our intervention was first on the drums, replacing the original for a more uptempo beat, and then the bassline, shaping it to a more modern sound. the vocals were treated with filters and echoes,and we also added some new guitar parts and synth lines. it was an honour to us, ajello, to bring to light an italo-disco classic that has really influenced us and we have put all our efforts to create a version that is timeless, as much as the original.

swedish producer hakan ludvigson teams up with purepuremusic records, delivering a unique, amazing melodic 3-track deep house ep. the a-side - style - is a solid, groovy instrumental track with a warm, analog sound. on the b-side we find the fresh new extended version of vocal tech-house number >darkness< taken from hakans recent studio cd album soulroom as well as the outstanding full-on vocal piece >hold yourself< which can only be compared with the dark melodic work of swedish electronica legends the knife. this stand-out ep will remain a special and useful piece in your dj bag, get it now!

having spent far too long fiddling around with re-edits, bedmo disco records enters the world of original production with an ep of synth-heavy b-funk (the b stands for bedmo) from studio pals awon and bedmo disco.

whetting appetites for works-brendon moellers ninth studio album and his first full-length for speedy js compound techno stable-electric deluxe present the >wanderer ep<, with remixes from clrs tommy four seven and argentine vanguard jonas kopp.

first release from a new series on sam silvas plector imprint, made to strike the floor with massive techno beats. ltd 300 ! hand numbered !

ltd 300 copies vinyl only !! music from the warhouse partys of gothenburg, sweden, jens records brings us their vision of underground house. featuring three artists. exotic coco magic is a dj, producer from gothenburg how creates raw and power full garage house. jaguar is a 37 year old studio musician making house with an electric guitarr and a bass. enmetertre (aka jens wickelgren the label head honcho), dj, producer. limited to 300 copies!

two years since winning the 2009 mercury music prize for her debut album, >speech therapy<, and having ridden a rollercoaster through life since then, speech debelle is ready to drop her second collection of music.
limited edition double 12 inch vinyl, including code for free mp3 download of the full album.

fantastic remastered reissue of the highly collectable 1977 original uk ice records release >nobody s got time / timewarp<. produced by eddy grant and performed by the in-house band of his coach house recording studio, side bs groundbreaking instrumental >time warp< is the absolute must-have here. this deep and minimal track takes you on weird reggae-tinged psychedelic disco journey and is hailed as a seminal early proto-house classic popular in chicago as well as being huge in ny at mancusos loft, paradise garage etc. with its unmistakable falsetto riff, tweaky synths and a walloping bassline, this truly is a timeless electronic weapon! side as >nobodys got time< is more of the same but layered with eddys great gravelly soulful caribbean vocals - super funky. do not miss this!

sadly betty botox is no longer with us. she departed planet earth in 2010 and leaves a gaping hole amongst all those who knew her. she left behind a dat tape in her studio with the final ep written on the cover in lipstick, which her closest confidants feel she wanted to be her last statement to the world. so, after a slight delay, two years later, 4 tracks that were regular features in her musically wayward dj sets are now available for her to fans to hear and play. combining her love for psyche funk, cosmic synth, space rock and late 70s stadium rock these reworkings, remixes, refixes and reproductions of known and unknown tracks are sure to be hits on non-conservative dance floors everywhere.

>slaves and masters< is the thirteenth studio album by deep purple, and was released in 1990. the album sounds like a cross between a rainbow and a deep purple album.
now available again on audiophile 180 gram vinyl with an insert.

the moritz von oswald trio operates at the bleeding edges where musical lineages collide. feeling for the shared heartbeat that pulses through dub, techno and jazz, it seeks out points of contact before exploding them outward into hypnotic explorations of rhythm, texture and tone. after two previous studio albums and one live album through honest jons, the trio - moritz von oswald, max loderbauer (nsi / sun electric) and sasu ripatti (vladislav delay / luomo) - returns with fetch, their most fully-realized voyage yet into these in-between worlds.

a time machine appeared to us recently in a cloud of smoke and a giant portal of light. out of the portal a smoking piece of futuristic metal emerged and fell onto our floor. closer examination revealed it to be a time capsule sent from the future. a message from the year 2043, it contained diagrams of futuristic machines from what looks to have been the studio sessions of the recordings presented here. here is what we found, a 2 track ep (plus remixes) from artists from the future. recordings made 21 years from now but from artists who you may have already heard of today.

nach touren rund um den globus kehrten eleanore und jason zurück in ihr abgedunkeltes studio und arbeiteten an dem hypnotisierendem nachfolger zu ihrem beeindruckenden debüt. >red night< wirkt wie eine meditation über trennung und wiederfindung, über fast verloren gegangene liebe und die lang nacht zu ihr zurück. der thith sound vermählt furchtlos minimalismus und abstraktion mit grossartigen melodien. eindringliche stringarrangements werden von treibenden rhythmen und eleanores faszinierender stimme überrannt. >red night< ist ein trip durch die schwarze grossstadtnacht, in der zeit sich dehnt, geschwindigkeit bricht, und gitarren in donner und herzklopfen eintauchen, bei immer intensiver werdenden vocals, je länger die nacht dauert. nach jüngsten auftritten mit odd future und kid cudi, mit den yeah yeah yeahs, james murphy und squarepusher werden thith jetzt auch bei uns ihr neues album ausgiebig live präsentieren!

detroit house at its best. amazing high tech jazz influenced 4 tracker by orlando b. after hearing orlando bs 2 full eps on germanys yore records, ric mcclelland & sean grieve head hunted the scottish producer for their seven music label. orlandos first outting on the belfast imprint was at the start of 2012 with a remix of giorgio luceris >one more time<. not content with just a remix, seven music asked orlando for some original works and here we have the >city life ep<. 4 tracks of chicago and detroit inspired goodness! the scottish producer and dj started making music at the age of 15 using an atari and notator sl. inspired by artists such as jeff mills, the advent, dave clarke and ian pooley, orlando began his career making techno. fast forward to 2012, orlandos studio is predominantly analogue based and his sounds have progressed to a deeper and more retrospective house sound. with 4 original tracks (1 of which is exclusive to the 12inch vinyl) the >city life ep< is arguably orlandos finest work to date. timeless yet forward thinking electronic music with soul and a record that deserves a place in any discerning djs collection!

we are really happy to be able to release this new ep from protect-u on planet mu.
protect-u is the studio project of mike petillo and aaron leitko, who are associated with the new breed of dance music producers from in and around washington dc, coming from a similar background as ital, innergaze and beautiful swimmers, with a history of playing alongside mi ami, blues control, slava, steve moore & pissed jeans, among others. mike is also co-owner of the very cool record label future times, alongside andrew field-pickering a.k.a. maxmillion dunbar, who is also one half of beautiful swimmers.

nach dem großen erfolg seiner letzten platte >es lem< (platz 1 der liederbestenliste, preis der deutschen schallplattenkritik) veröffentlicht ernst molden sein zehntes solo-album mit dem titel >a so a scheena dog<. wunderschöne, ausschließlich analog aufgenommene lieder auf vinyl mit beilage-cd, die seine bisherige, ohnehin schon beeindruckende diskografie krönen. ernst molden spielt hier elf neue lieder in ihrer ursprünglichsten form, so wie sie das erste mal im arbeitszimmer gesungen wurden. er verzichtet auf die ernst molden band und zieht sich alleine ins studio von thomas pronai (kantine) zurück, den gesang begleitet er nur mit gitarre und mundharmonika. der temporäre rückzug von der band und von vertrauten arbeitsroutinen erweist sich als glücksgriff.

alden tyrell hooked up with mike dunn for some new work!. a golden combination which already worked out great as we learned from the heavy remix tyrell did for the murphy jax & mike dunn collaboration (its the music - cat# cjfd06). tyrell always jamming and playing around with his synths had some tracks inspired by early mike dunn songs. so the obvious happened ... the hooked up for some appropiate vocals and here it is ... touch the sky! a peak time acid monster with mikes vocal chant in the style of his classic md3 projects. gerd is on remix duty here and delivers a killer remix with a more traditional chicago groove and build up. clone head honcho serge had some studio time with tyrell for a dub mix. the serge & tyrell dub mix turned out a bit wild and became a classic piece of piano and dx bass driven chicago house music with stuttering vocal samples and a acidic synth line. another strong clone jack for daze!

new york city darling pal joey is back with a new project called walk the dog and new single i cant.then holding things up in the rear are two mixes from xapy ha, the production team of label head sean holland and studio partner james general patton. these two brought you the b for bad remixes on shake dat booty, the first coco machete release, and pal joey production, ten years ago this june. this is, new york city, this is coco machete.

a new label from some of the decision makers at juno arrives in the shape of love interest, promising a release schedule that eschews genres in favour of seeking out international talent that piques their fancy. minneapolis-based nyteowl is at the helm for the first release with >love of mine<. this clear vinyl twelve inch edition sports two fine remixes from boy 8 bit and mighty mouse, which naturally take the 80s swagger of the original in differing directions. boy 8 bit calls on all his studio trickery with a remix that constantly shifts sonically before dropping into an excellent final detuned synth passage, whilst nu-disco troupe mighty mouse are on soaring form, adding some meat to that beat, whilst nyteowls vocal hitches a ride on an upwards arpeggio.

part two of the vinyl album sampler comes roaring out of the gates with the stripped down, yet dressed up nastiness that is lotus bomb. did something so dirty ever sound so delicious? coffeeshop chronicles and my money your body are standard hephner sleaze one can literally imagine huge dry-humping his studio gear while churning out these funky numbers

first on only via decks.de
supported by:jeff k,lee buridge, lee foss, lee curtiss, dubfire, jozif, aki bergen, slam, luciano. beef records latest 12inch brings a flavour of the underground sound of sydney. jaded & james petrou are two guys behind the citys infamous party kinky disco and have now locked themselves down in the studio to produce two hypnotic underground cuts.tonis pain is a moody, chugging deep house cut using a sample of toni braxton that twists her up in all sorts of new ways, while rollin stone gives similar treatment to the temptations/the undisputed truths classic vocal.the title track comes backed by two of the most in demand artists right now – inxec and no artificial colours.

a freshly minted london label, clueplants mission is to push twisted, imaginative techno with a raw analogue energy and a futuristic approach to sound design.the first release showcases a balance of two distinctly individual and intoxicating tunes which have seen enthusiastic reception on the dancefloor and radio while doing the rounds as dubplates. the a side hosts a powerful chunk of modern techno energetically played live and is the first release from london producer 12&bit, a perverse hardware purist whose vinyl and live sets have thumped out at teknivals aross europe and seen over 2 million downloads of his played-live techno through the open-source audio globular music library. on the b side the perversity is taken a step further by the infamous bulgarian electro deviant, manasyt. following 11 years of quality vinyl output on prolific labels such as kommando 6, touchin bass and bunker, the balaclava-clad nomad manasyt has set up his studio in the techno capitals of the world, berlin, london and detroit, and is now in china pumping out his trademark brutal and forward-thinking industrial techno for clueplant

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

much respect goes out to the hardihood creative studio crew who crafted a hand made video for this release - watch out!

bob dylans >love & theft< was a true return to form, his 30th studio album, with the unfortunate release date of september 11, 2001.
his voice is shot, but he sounds warmer, more relaxed, and old mr. grumpy is as good humoured as on >the basement tapes< (movlp 429). bob is in a wistful, elegiac, playful mood. he has recovered the humanity he lost on >time out of mind<, and is looking on life with loving eyes. he has thrown off the weight of life and is remembering a better self. and that makes this one of his more accessible albums, despite a lack of high-flying hit songs.
with beautiful printed inner sleeves and 180 grams audiophile vinyl, this is the first vinyl re-issue since 2001!

last copies left... funky smokin trax hit the wax on amsterdams finest remote area imprint. the latest on remote area two brand new debutans, makcim & managemend. makcim roots lay in the south part of the netherlands, eindhoven, where he is part of the minimal eindhoven crew, who are responsible of many crazy illegal parties in the area. two years ago makcim moved to amsterdam to become more involved with the amsterdam underground scene. makcim and managemend aka roel van otterdijk met each other. managemend has a background of true funk music. as a child he listend to the meters, jimi hendrix, weather report, all from his fathers record collection. so with the history of funk, makcim & managemend hit the studio

satoshi tomiie biggest hit was >tears<, a collaboration with frankie knuckles that was released on ffrr back in 1989. the release of the single was a ground breaking moment, at a time when the huge movement of house and techno was in its infancy. more than 20 years later and satoshi has just completed the building of his brand new studio in new york city. with his focus having been firmly on his dj touring for many years,interspersed with releases and remixes, its now time for the saw recordings boss to enjoy his very own new flight deck. straight up is a track that displays the true and original acid house sound! says systematic boss marc romboy of the first single to come out of tomiies studio. having immediately snapped up the tune for the label he called his good friend alex niggemann in berlin who, sharing his friends opinion and love of the track, spontaneously set about producing his own interpretation.

in his biography, arjuna schiks is described as a producer with an ability to bring the human out of the machine, unleashing our emotions. after listening to doha , we were affected in the same way. simply put, his music makes us feel good. melodic accents and danceable rhythms blend in purposeful unison, and it is with the doha ep that arjuna will join wir. he has appeared on gem records, manual music, traum, and trapez, with original eps, and has recently graced a number of labels with remixes, leaving his signature on each ep. his production output is impressive, and like most greats, his sound continues to grow and develop with each studio session. arjuna resides in amsterdam, where he has developed a distinct and solid sound, and a loyal fan base. he performs live close to every weekend all over holland. we invited arjuna to come and perform as the special guest at our treibstoff 14.5 year anniversary party for his first ever performance on german soil. his set was received with smiling faces and hands in the air, coming from the brimming dance floor of colognes gewölbe, a warm welcome to say the least. we had the pleasure of spending some time together after the event, and his character is just like his music. he is a cheerful and passionate person with a bright sense of humor and we are elated to welcome him to wir. keep your ears open, for there is more to come..

if you like the sound of cheap analog synthesizers from the mid 80s, drum machines and strangely pitched human voices this might be the record for you. a small warning about the quite melodic and poppy arrangement, it is not minimal, nor pure drones. sorry. estelle ep has nothing to do with the car Škoda estelle, even though some instruments used on the songs were produced during the same years. estelle ep is more or less a result of the new kranglan broadcast hardware studio environment. the plan was simple: to get rid of the machines that were not being used and to make the rest communicate with each other. this resulted in some very fine jams where realtime feelings and spontaneous ideas were converted into music. each track is its own moment in time.

mark and stefan have been making noises for a long, long time. born in an storm way, way back, they have forgotten more than most people know about the art of making people move their bodies in strange ways - graduating from the psychonautic academy of vibrational arts with 2 lfos, a couple of vcfs and 3 vcos… when theyre not working in the studio on their new psychedelic project pulp disco & the outcasts, theyre getting up to all sorts of bad behavior in ibiza, france and their home in london and manchester. warehouse parties, dirty dive bars and seedy strip joints have all been seduced by their magic over the years, and this is where the duo feel most at home. the wrong side of the horizon is where they were born…and dark dub-discos are now their only refuge. so when the moon is full, hitch a ride with them into deep space...

180gr vinyl!! bjak and dubbyman team up to become twin beats on the latters deep explorer imprint. this is the pairs first collaborative release, but their studio chemistry is there for all to see as the first few bars of >do it properly< ease out through your speakers. its floaty, jazz-flecked house bathed in pools of gently rippling bass tones, and things are given a sophisticated edge by the adroit vocals of brian cullen. this shares the a-side with the slightly more upbeat >water walk with me<, with cullen matching marvin belton in the modern day soulful crooner stakes. flip over for a remix of the title track from - gulp - larry heard, with the chicagoan legend turning in a typically sumptuous slice of machine soul that naturally hogs the vast majority of the b-side, before an excellent ep is rounded off by a beatless outro

this smashing and diverse tune has been getting biiiig response all across the globe with heavy support from the top including hatcha, n-type, plastician and a slew more.originally debuted on targets bbc 1xtra show,doctors pristine grime vocal studio work makes this track accompany a heavy sub-bass signature sound you can only get from musicians who immerse their lives into dubstep and spend time developing their own style.those such musicians are megalodon and conscious pilot.

so, who is this mysterious afefe iku? after absolutely destroying the dancefloors all year long with his infamous bootleg of radioheads >everything in its right place<, which he smartly put out in extremely limited amounts of vinyl around the same time his mentor, osunlade, featured his cover of that very same song on bbes >exit music: songs with radio heads<. in all honesty afefe remains a mystery even to us. so, let us start by saying who afefe isnt. unfortunately, for those who thought he was osunlade, you are mistaken, but dont feel ashamed, because afefe creates at osunlades studio in santorini, which makes sense to pinpoint him as osunlade.

bird scarer is andrew weatheralls new vinyl only limited edition (300) record label.bird scarer 001 is by timothy j fairplay - r.g.c. studio s resident engineer, analogue curator, multi-instrumentalist, remixer and solo artiste. its called the final reel and during its eleven minute duration it passes signposts marked john carpenter, klaus schulze and doris norton.the epic piece has been consolidated into a seven minute remix by mr. weatherall himself, who has also done a limited edition lino print to accompany the first 20 copies.remember, bird scarer is a download free project.

nach vier jahren im studio, in denen sie ihren perfektionismus und ihre liebe zum detail bis aufs Äußerte zelebriert haben, veröffentlichen blek le roc nun ihr gleichnamiges debüt-album. das indie-pop-trio überrascht den zuhörer mit einem filigranen und doch satten sound, der so ungewöhnlich wie fesselnd ist. ihre musik ist keinem schema verhaftet. beinahe schüchtern fasst sie den zuhörer mit dem ersten ton, umklammert ihn immer fester und lässt ihn in andächtiger stille wieder warten. ohne pathos. die songs erzählen geschichten des scheiterns, des fragens, des wartens. sie sind offen für die interpretationen der hörer. alles ist mehrdeutig. scheitern kann hier auch aufbruch bedeuten. ist warten nicht gleichzeitig veränderung? es gibt keine klarheit …

the time has come that berlin based techno producer and dj frank muller launch his new label mad musician. these days it requires some kind of madness to devote your live to music. but we are not mad entirely, we are the geeks, the gear nerds, the outcasted studio freaks who just heard about daylight. following a string of eps and remixes as his alter ego beroshima, the launch of his new label as frank muller was long overdue to focus on the new platform. it continues to break the stylistic frame defined by the market and yet manages to surpass the expectations set by these skilfully crafted productions. mad musician defy genre boundaries and incorporate a wide range of sonic colours. merging detroit influenced berlin techno with any kind of genre. exploring the electronic galaxy to invite other true musicians to join the mission and to cooperate, remix and to release the stuff we like. the first invited mad musician is none less than lord kirk degiorgio who recently released some awesome stuff on rush hour and planet e.are u mad enough?

in no other year was the end of the world as fashionable as it is in 2012. but while roland emmerich has to dig knee-deep in trash and throw millions out the window for special effects gimmickry in order to bring drama to the screen, it only takes sierra sam a freshly made studio in our comforting berlin-based upon you refuge. a newcomer to our crew, this belgian producer and label owner of toys for boys has already established his own decade-plus career, and his experience shines through clearly on uy059. the title track welcome to the blackout holds up not just on great production, but also from the mystical vocals that paris the black fu offered for this release. thats why weve included the a cappella as a digital bonus, for the more adventurous djs out there. for the flip side, sierra sam picked his english cohort inxec - already known for his numerous releases on labels such as cocoon, cityfox, contexterrior and currently crosstown rebels - for a fresh remix. closing track chambers seals the deal on this singing, ringing hit plastic disc that no survival kit should be without.

glitterbugs albums, releases and remixes (on respected labels such as mule, nowtown, ghostly, ki records and many more) have long placed him in a musical and artistic category of his own. he is a timeless, skillful and daring producer, immune to hypes and seasonal sub-genre fashions. he has developed his own particular musical language that spans seamlessly between deep techno and abstract intimate compositions, always poignant with score-like textures. his 3rd studio album, cancerboy, is another milestone conjoining powerful musical expression with heavy content.

who is the great architect of the universe?! who is the supreme being?! both the square and compasses are architects tools and g used it to create our world. stefano is back on toffler vinyl with this new release, 3 original mixes pure dubstep experience, modern techno. this fantastic ep includes remix form toffler music headmaster quantec. fantastic deep and dubby floating techno. this is the release number 666 and it has been recorded at blues lab, a beatiful recording studio based in the core of salento. mastering/cut @ the exchange studios, london.